About

Liam O’Connor, one of Ireland’s leading fiddle players, was born into a musical family in Dublin. His solo CD “The Loom” received 5 star reviews and was voted Trad Album of the Year 2017 by the Irish Times.

His father Mick O’Connor is a well-known flute player, researcher and leader of the Castle Céilí Band. During his youth, Séamus Glackin taught Liam. By age of 15 he had won 5 All Ireland fiddle championships and later added junior and senior Oireachtas fiddle competitions. He also completed 8 grades in Classical violin training in the DIT College of Music, Dublin. In addition to performing as a soloist from a young age, in his teenage years he was also invited to perform in duet with established masters such as uilleann piper Liam O’Flynn and concertina legend Noel Hill.

He was awarded TG4 Young Musician of the Year in 2002. At the time, Liam was described in the Irish Times as “Possibly one of the most exciting fiddle players on the music scene since the emergence of Sean Keane and Frankie Gavin more than 30 years ago. He has an exceptional natural ability and the standard of his playing defies logic given his age.”

He spent many summers in County Clare, his mother’s home county where he played with played with musical icons Joe Ryan, Bobby Casey, Peadar O’Loughlin and many others. Other major influences on his playing include Séamus Glackin, Vincent Harrison, Seán Keane, along with recordings of Tommie Potts, Michael Coleman and James ‘Lad’ O’Beirne.

In  2006 Liam and Sean was awarded a bursary from the Arts Council of Ireland under their DEIS scheme where the archiving and recording of the transmission of the tradition from older masters to younger musicians was central. He spent time with and conducted interviews with Seán Potts, Peter Horan, Vincent Harrison, Seamus Tansey, Seamus Begley, John Dwyer, Peadar O’Loughlin, Sean MacIarnán, among others during this project. Liam also featured on an acclaimed CD with Noel Hill in 2006.

In a review of a concert at the Temple Bar Traditional Music Festival in 2007 by Toner Quinn of The Journal of Music, he made the following comments on Liam’s solo performance: “We teetered with O’Connor on the very edge of the melody as he stretched our concepts of the aesthetics of traditional music – expanding the melody, reducing it, compacting it, going forward, pulling back. This was dangerous music executed in a risky environment, with no accompaniment, no safety net, and there was no cutting short lest he ran out of ideas. O’Connor has the potential to have serious impact on fiddle playing. Now only 23 years old, a fiddle solo of three reels half way through the set was, in a word, breath-taking.”

 

In 2009, he released a critically acclaimed CD “Dublin Made Me” with uilleann piper Seán McKeon which was described as “Exceptional musicians who marry technical prowess with a marvellous sense of adventure and history” (Irish Times).

In 2009, he secured first-class honours in a graduate diploma in Irish Folklore in the UCD Delargy Centre for Irish Folklore and Linguistics and the National Folklore Collection. During the course of his studies, Liam was awarded two prestigious scholarships: Scoláracht Máire MhicNéill and Scoláracht Dhónaill uí Mhoráin. He worked as a researcher of traditional songs in the Irish language for the Royal Irish Academy’s Doegen Web Records Project. He has taught as a guest teacher on undergraduate and post-graduate courses at the Irish World Academy of Music and Dance, Limerick, and in DIT, DKIT and UCD. He has also taught and performed at numerous Irish and international music festivals such as Scoil Samhraidh Willie Clancy, Scoil Acla, Tocane and many more. He has served as a board member on the TG4 Gradam Ceoil Selection Panel, on the board of the Irish Traditional Music Archive and as honorary secretary of An Cumann le Béaloideas Éireann/The Folklore of Ireland Society. Having been awarded a Master of Letters for his research thesis entitled “Aspects of oral tradition in the Life and Works of P.W. Joyce”, Liam has given lectures on Joyce at Na Píobairí Uilleann, the National Folklore Collection, the Chris Langan Festival, Toronto, and Scoil Samhraidh Willie Clancy. He also gave talks and lectures on Paddy Cronin, Vincent Harrison, Fiddle Music in Dublin, and Tommie Potts. Given his interest in manuscript, historic collections and contemporary traditional compositions, he is proud of having written forewords to the P.J. Giblin Collection and to Connie O’Connell’s Bóithrín na Smaointe. In 2012, he was invited to give an illustrated insight into the music of Tommie Potts at the launch of RTÉ CD Tommie Potts – Traditional Fiddle Music from Dublin.

In 2013, he was commissioned to record and compose music for inclusion in Stailc 1913 a TG4 film-documentary on the 1913 Lockout.

The Loom, a solo album that received five-star ratings and rave reviews was released in 2017. Described in an Irish Echo review as a ‘mind-bogglingly good album full of wow moments from beginning to end.’ Writing in the Irish Times, Siobhán Long gave it a five-star rating and wrote: “The possibility that we are in a golden age of traditional music, is reinforced by the release of Liam O’Connor’s exceptional solo album The Loom. O’Connor has long been a thoughtful, considered fiddle player who wears his acquaintance with the musicians who came before him with equal parts pride and subtlety.” It was voted Trad Album of the Year 2017.

2018 will see the launch of a project called Re-creating P.W. Joyce: from 19th century manuscripts to an interactive online audio-visual resource which was conducted in partnership with the Irish Traditional Music Archive in which Liam recorded 371 melodies from the Joyce collection and was funded through the Arts Council DEIS scheme. Other projects include an exciting duet with concertina player Cormac Begley, a tour of the USA, concerts with Sean McKeon, Noel Hill, in addition to various solo recitals and masterclasses. He has commissioned a new bow from expert archetier Noel Burke that is due in 2018 and which was kindly part-funded by Music Network Capital Scheme.

Featured Video

The Loom

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Media Reviews

  • Siobhán Long, Irish Times
    The possibility that we are in a golden age of traditional music, is reinforced by the release of Liam O’Connor’s exceptional solo album The Loom. O’Connor has long been a thoughtful, considered fiddle player who wears his acquaintance with the musicians who came before him with equal parts pride and subtlety.
  • Toner Quinn, Journal of Music in Ireland
    The Loom is a memorable album, an engaging, thoughtful achievement. O’Connor continues to be an important creator at the heart of Irish fiddle playing.
  • Daniel Neely, Irish Echo Newspaper
    O’Connor is an intelligent and dynamic musician who understands the subtleties of the music’s history and has creative ideas about how to nuance the details of a tune without overplaying them. This is evident on literally every track. “The Loom” is one of those great must-have albums. Fiddle players will be in awe of his technical brilliance, but the music is just so engaging all the way through that it’ll attract the ear of anyone who loves traditional music.
  • Geoff Wallis, fRoots Magazine
    ``It’s not just the superb unison playing that’s paramount here (listen to the reels Mrs. Galvin’s/Billy Connor’s as an example) or the fact that oft-times (as on the jig The Drunken Gauger) that the duo’s instruments seem to blend into one, but the absolute joy that inhabits their music which makes this such a splendid album. Add to that some sparkling solo tracks, such as Liam’s The Duke of Leinster or Seán’s The Lady’s Bonnet/The Pinch of Snuff (a tour de force in terms of drones and regulators), and this has to be one of the most successful and utterly memorable Irish recordings of the last thirty years.``
  • Earle Hitchner, Irish Echo Newspaper
    O'Connor's bowing climbed to a vertigo-inducing, high, ethereal pitch at one point… The fiddle solo by O'Connor on ``The Duke of Leinster`` reel is no less compelling. Dexterity and detail match drive as he inserts embellishing nips and brief flourishes to keep us thoroughly engrossed. But above all, genuine emotion radiates from his bowing, something he also achieves in his heartbreaking rendition of ``Taimse i m'Chodladh is na Duistear me,`` a slow air he previously played at the gravesite of Inagh fiddler Joe Ryan last year.